| 1 |
General Information |
Filler/ Enrichment |
The Sacred Filament |
english |
- |
|
|
| 2 |
Music (Hindustani
Classical) |
Raag Ranjan
(राग
रंजन) |
Raag Khamaaj (राग खमाज) |
hindi (हिन्दी) |
UG |
|
|
| 3 |
Music (Hindustani
Classical) |
Raag Ranjan
(राग
रंजन) |
Raag Darbari (राग दरबारी) |
hindi (हिन्दी) |
UG |
|
|
| 4 |
Music (Hindustani
Classical) |
Raag Ranjan
(राग
रंजन) |
Raag Bheem Palas (राग भीमपलास) |
hindi (हिन्दी) |
UG |
|
|
| 5 |
Music (Hindustani
Classical) |
Raag Ranjan
(राग
रंजन) |
Raag Bhairav (राग भैरव) |
hindi (हिन्दी) |
UG |
|
|
| 6 |
Music (Hindustani
Classical) |
Raag Ranjan
(राग
रंजन) |
Raag Kaffi (राग काफ़ी) |
hindi (हिन्दी) |
UG |
|
|
| 7 |
Music (Hindustani
Classical) |
Raag Ranjan
(राग
रंजन) |
Raag Bageshri (राग बागेश्री) |
hindi (हिन्दी) |
UG |
|
|
| 8 |
Music (Hindustani
Classical) |
Raag Ranjan
(राग
रंजन) |
Raag Puria Dhanashri (राग पुरीया
धनश्री) |
hindi (हिन्दी) |
UG |
|
|
| 9 |
Music (Hindustani
Classical) |
Raag Ranjan
(राग
रंजन) |
Raag Shivranjani (राग
शिवरंजनी) |
hindi (हिन्दी) |
UG |
|
|
| 10 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
New Indian Cinema Western View- III |
english |
UG |
|
|
| 11 |
History |
History of India |
Arab, Ghaznavid and Ghorid Invasions of India |
english |
UG |
|
|
| 12 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Basant- IV |
hindi / english |
UG |
|
|
| 13 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Bhup |
hindi |
UG |
|
|
| 14 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Basant- III |
hindi / english |
UG |
|
|
| 15 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Basant- II |
hindi / english |
UG |
|
|
| 16 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Yaman |
hindi |
UG |
|
|
| 17 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Basant- I |
hindi / english |
UG |
|
|
| 18 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Pooriya- IV |
hindi / english |
UG |
|
|
| 19 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Marwa |
hindi |
UG |
|
|
| 20 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Pooriya- III |
hindi / english |
UG |
|
|
| 21 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Pooriya- II |
hindi / english |
UG |
|
|
| 22 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Todi |
hindi |
UG |
|
|
| 23 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Pooriya- I |
hindi / english |
UG |
|
|
| 24 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Bageshree- IV |
hindi / english |
UG |
|
|
| 25 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Malkans |
hindi |
UG |
|
|
| 26 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Bageshree- III |
hindi / english |
UG |
|
|
| 27 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Bageshree- II |
hindi / english |
UG |
|
|
| 28 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Bageshree- I |
hindi / english |
UG |
|
|
| 29 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Bhairavi- II |
hindi |
UG |
|
|
| 30 |
Music (Hindustani
Classical) |
RAAG EK BHAV ANEK |
Raag Bhairavi- I |
hindi |
UG |
|
|
| 31 |
Music (Hindustani
Classical) |
VARSHA KE RANG |
Bandishey- VI |
hindi |
UG |
|
|
| 32 |
Music (Hindustani
Classical) |
VARSHA KE RANG |
Bandishey- V |
hindi |
UG |
|
|
| 33 |
Music (Hindustani
Classical) |
VARSHA KE RANG |
Bandishey- IV |
hindi |
UG |
|
|
| 34 |
Music (Hindustani
Classical) |
VARSHA KE RANG |
Bandishey- III |
hindi |
UG |
|
|
| 35 |
Music (Hindustani
Classical) |
VARSHA KE RANG |
Bandishey- II |
hindi |
UG |
|
|
| 36 |
Music (Hindustani
Classical) |
VARSHA KE RANG |
Bandishey- I |
hindi |
UG |
|
|
| 37 |
Music (Hindustani
Classical) |
VARSHA KE RANG |
Sur Malhar- I |
hindi |
UG |
|
|
| 38 |
Music (Hindustani
Classical) |
VARSHA KE RANG |
Megh Malhar- I |
hindi |
UG |
|
|
| 39 |
Music (Hindustani
Classical) |
VARSHA KE RANG |
Nat Malhar- I |
hindi |
UG |
|
|
| 40 |
Music (Hindustani
Classical) |
B. A. (Hons.) Music |
Thumri Ke Rang- X |
hindi |
UG |
|
|
| 41 |
Music (Hindustani
Classical) |
B. A. (Hons.) Music |
Thumri Ke Rang- IX |
hindi |
UG |
|
|
| 42 |
Music (Hindustani
Classical) |
B. A. (Hons.) Music |
Thumri Ke Rang- VIII |
hindi |
UG |
|
|
| 43 |
Music (Hindustani
Classical) |
B. A. (Hons.) Music |
Thumri Ke Rang- VII |
hindi |
UG |
|
|
| 44 |
Music (Hindustani
Classical) |
B. A. (Hons.) Music |
Thumri Ke Rang- VI |
hindi |
UG |
|
|
| 45 |
Music (Hindustani
Classical) |
B. A. (Hons.) Music |
Thumri Ke Rang- V |
hindi |
UG |
|
|
| 46 |
Music (Hindustani
Classical) |
B. A. (Hons.) Music |
Thumri Ke Rang- IV |
hindi |
UG |
|
|
| 47 |
Music (Hindustani
Classical) |
B. A. (Hons.) Music |
Thumri Ke Rang- III |
hindi |
UG |
|
|
| 48 |
Music (Hindustani
Classical) |
B. A. (Hons.) Music |
Thumri Ke Rang- II |
hindi |
UG |
|
|
| 49 |
Music (Hindustani
Classical) |
B. A. (Hons.) Music |
Thumri Ke Rang- I |
hindi |
UG |
|
|
| 50 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Jaunpuri |
hindi |
UG |
|
|
| 51 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Madhuvanti |
hindi |
UG |
|
|
| 52 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Hansadhwani |
hindi |
UG |
|
|
| 53 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- XIII |
hindi |
UG |
|
|
| 54 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- XII |
hindi |
UG |
|
|
| 55 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- XI |
hindi |
UG |
|
|
| 56 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- X |
hindi |
UG |
|
|
| 57 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- IX |
hindi |
UG |
|
|
| 58 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- VIII |
hindi |
UG |
|
|
| 59 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- VII |
hindi |
UG |
|
|
| 60 |
Karnataki Sangeet |
Music (Karnataki
Sangeet) |
Notation Writing - I |
english |
UG |
|
|
| 61 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- VI |
hindi |
UG |
|
|
| 62 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- V |
hindi |
UG |
|
|
| 63 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- IV |
hindi |
UG |
|
|
| 64 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- III |
hindi |
UG |
|
|
| 65 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- II |
hindi |
UG |
|
|
| 66 |
Performing Arts
(Instrumental) |
B. A. (Hons. ) Music |
Tabla Sangeet Ka Atal Sathi- I |
hindi |
UG |
|
|
| 67 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Dhauni |
hindi |
UG |
|
|
| 68 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Bhinnshadaj |
hindi |
UG |
|
|
| 69 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Gaudsarang |
hindi |
UG |
|
|
| 70 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Jog |
hindi |
UG |
|
|
| 71 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Maand |
hindi |
UG |
|
|
| 72 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Chayanat |
hindi |
UG |
|
|
| 73 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Shamkalyan |
hindi |
UG |
|
|
| 74 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Bairagi Bhairav |
hindi |
UG |
|
|
| 75 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Bhatiyar |
hindi |
UG |
|
|
| 76 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Jogkansh |
hindi |
UG |
|
|
| 77 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Patdeep |
hindi |
UG |
|
|
| 78 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Jayjayanwati |
hindi |
UG |
|
|
| 79 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Gaur Malhar |
hindi |
UG |
|
|
| 80 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Megh Malhar |
hindi |
UG |
|
|
| 81 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Vrindavani Sarangi |
hindi |
UG |
|
|
| 82 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Hamir |
hindi |
UG |
|
|
| 83 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Nand |
hindi |
UG |
|
|
| 84 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Kirwaani |
hindi |
UG |
|
|
| 85 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Sohani (Sankra) |
hindi |
UG |
|
|
| 86 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Bhibhas |
hindi |
UG |
|
|
| 87 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Madhukas |
hindi |
UG |
|
|
| 88 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Des |
hindi |
UG |
|
|
| 89 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Shuddha Saarang |
hindi |
UG |
|
|
| 90 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Kousikanda |
hindi |
UG |
|
|
| 91 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Vihaag |
hindi |
UG |
|
|
| 92 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Puriya Kalyan |
hindi |
UG |
|
|
| 93 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Shankara |
hindi |
UG |
|
|
| 94 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Hindole |
hindi |
UG |
|
|
| 95 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Puriya |
hindi |
UG |
|
|
| 96 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Shamkhalian |
hindi |
UG |
|
|
| 97 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Abhogi |
hindi |
UG |
|
|
| 98 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Jhinjhoti |
hindi |
UG |
|
|
| 99 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Kalavati |
hindi |
UG |
|
|
| 100 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Bilas Khani Todi |
hindi |
UG |
|
|
| 101 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Kedar |
hindi |
UG |
|
|
| 102 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Nata Bhairava |
hindi |
UG |
|
|
| 103 |
Film Studies |
Indian Cinema |
Early Indian Silent Cinema |
english |
UG |
|
|
| 104 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Chandra Kansa |
hindi |
UG |
|
|
| 105 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Basant |
hindi |
UG |
|
|
| 106 |
Karnataki Sangeet |
Essential of
Karnatic Music |
Greatness and Power of Music |
english |
UG |
|
|
| 107 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Gorakh – Kalyaan |
hindi |
UG |
|
|
| 108 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Aheer Bhairava |
hindi |
UG |
|
|
| 109 |
Karnataki Sangeet |
Sruthis |
Outline Knowledge of Twenty Two Srutis |
english |
UG |
|
|
| 110 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Mian Malhaar |
hindi |
UG |
|
|
| 111 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Tilang |
hindi |
UG |
|
|
| 112 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Chaarukeshi |
hindi |
UG |
|
|
| 113 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Saahanakanda |
hindi |
UG |
|
|
| 114 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Lalat |
hindi |
UG |
|
|
| 115 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Tilak Kamodh |
hindi |
UG |
|
|
| 116 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Jansammohini |
hindi |
UG |
|
|
| 117 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Peelu |
hindi |
UG |
|
|
| 118 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Durga |
hindi |
UG |
|
|
| 119 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Bhairav |
hindi |
UG |
|
|
| 120 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Maaru Vihaag |
hindi |
UG |
|
|
| 121 |
Music (Hindustani
Classical) |
Raag Ranjan |
Raag Raageshri |
hindi |
UG |
|
|
| 122 |
History |
B. A. (History) |
Fascism |
english |
UG |
|
|
| 123 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
New Indian Cinema Eastern View- II |
english |
UG |
|
|
| 124 |
Philosophy |
Modern Western
Philosophy |
Rene Descartes |
english |
UG |
|
|
| 125 |
Karnataki Sangeet |
Learning The Basics |
Janṭa Varisai- II |
english |
UG |
|
|
| 126 |
Film Studies |
Film Studies |
Govindan Aravindan |
english |
UG |
|
|
| 127 |
Film Studies |
Film Studies |
Shyam Benegal |
english |
UG |
|
|
| 128 |
Film Studies |
Script Writing |
Script Writing - Scripting for Soaps and Serials |
english |
UG |
|
|
| 129 |
Film Studies |
Film Technique |
Concepts of Editing- VI |
english |
UG |
|
|
| 130 |
Film Studies |
Film Technique |
Concepts of Editing- V |
english |
UG |
|
|
| 131 |
Film Studies |
Film Technique |
Concepts of Editing- IV |
english |
UG |
|
|
| 132 |
Film Studies |
Film Technique |
Concepts of Editing- II |
english |
UG |
|
|
| 133 |
Film Studies |
Film Technique |
Concepts of Editing- I |
english |
UG |
|
|
| 134 |
Performing Arts
(Theatre) |
B. A. (Theatre Arts) |
Minor Incarnations of Vishnu in Ancient Indian
Texts |
english |
UG |
|
|
| 135 |
Film Studies |
Film Technique |
Location Recording and Re-Recording |
english |
UG |
|
|
| 136 |
Film Studies |
Film Language |
Film Editing |
english |
UG |
|
|
| 137 |
Film Studies |
Film Language |
Cinematic Image |
english |
UG |
|
|
| 138 |
Film Studies |
Film Technique |
Magic Lantern to Motion Picture |
english |
UG |
|
|
| 139 |
Film Studies |
Film |
Film and Literature |
- |
- |
|
|
| 140 |
Film Studies |
Film Technique |
Shot Scale and the Use of Lens |
- |
- |
|
|
| 141 |
Film Studies |
Film Technique |
Camera Position and Camera Angle |
- |
- |
|
|
| 142 |
Fine Arts |
History of Art |
Egyptian Art – I |
- |
- |
|
|
| 143 |
Film Studies |
Film Technique |
Basic Components in Film Language: Shot, Scene,
Sequence |
- |
- |
|
|
| 144 |
Film Studies |
Film Form |
Melodrama in Indian Cinema |
- |
- |
|
|
| 145 |
Karnatik Music |
Svara Exercise |
Svara Exercises – III |
- |
- |
|
|
| 146 |
Film Studies |
Asian, New Latin,
African and Indian
Cinema |
Indian Cinema from Madan to Phalke |
- |
- |
|
|
| 147 |
Film Studies |
Asian, New Latin,
African and Indian
Cinema |
Cinema of Latin America: Introduction |
- |
- |
|
|
| 148 |
Film Studies |
Asian, New Latin,
African and Indian
Cinema |
New Iranian Cinema: Kiarostomi and Panahi |
- |
- |
|
|
| 149 |
Film Studies |
Film Form |
Film Editing |
- |
- |
|
|
| 150 |
Film Studies |
Film Form |
Film Sound |
- |
- |
|
|
| 151 |
Film Studies |
Script Writing |
Script Writing: Between the Lines and Beyond the
Script |
- |
- |
|
|
| 152 |
Film Studies |
Script Writing |
Script Writing: Development of a Script Based on a
Real Life Incident |
- |
- |
|
|
| 153 |
Film Studies |
Script Writing |
Script Writing: Analyzing India's First Soap Opera
Hum Log |
- |
- |
|
|
| 154 |
Film Studies |
Script Writing |
Script Writing: Narratives in Soaps and Serials |
- |
- |
|
|
| 155 |
Philosophy |
B. A. |
Introduction To Philosophical Studies - I |
english |
UG |
|
|
| 156 |
Film Studies |
Script Writing |
Script Writing: Analysing a popular Hollywood Film |
- |
- |
|
|
| 157 |
Film Studies |
Film Form |
Cinema and Painting |
- |
- |
|
|
| 158 |
Film Studies |
Film Form |
Film and Music |
- |
- |
|
|
| 159 |
Film Studies |
Film Form |
Cinema and Theatre Interface |
- |
- |
|
|
| 160 |
History |
B. A. |
Persian Literature During The Delhi Sultanate |
- |
- |
|
|
| 161 |
Film Studies |
Film Form |
Film and Adaptation |
- |
- |
|
|
| 162 |
Film Studies |
Script Writing |
Script Writing: Analysing a Popular Hindi Film |
- |
- |
|
|
| 163 |
Philosophy |
Contemporary
SocioPolitical
Philosophy |
Spiritualist Versus Materialist Communism: Swami
Vivekananda |
- |
- |
|
|
| 164 |
Film Studies |
Asian, New Latin,
African and Indian
Cinema |
Latin American Cinema: Mexican Cinema |
- |
- |
|
|
| 165 |
Philosophy |
Contemporary
SocioPolitical
Philosophy |
State, Nationalism, Freedom and Society:
Rabindranath Tagore |
- |
- |
|
|
| 166 |
Film Studies |
Film Technique |
The Sound Track |
- |
- |
|
|
| 167 |
Film Studies |
Film Technique |
Latin American Cinema: Chilean Cinema |
- |
- |
|
|
| 168 |
MEDICAL SCIENCE |
B. A. |
Fish Medicine: Wonder Cure |
english |
UG |
|
|
| 169 |
Film Studies |
Film Technique |
Latin American Cinema: Bolivian Cinema |
- |
- |
|
|
| 170 |
Film Studies |
Film Technique |
Composition Normative |
english |
UG |
|
|
| 171 |
Film Studies |
Film Technique |
Basic Components in Film Language - Shot, Scene,
Sequence |
english |
UG |
|
|
| 172 |
Philosophy |
Philosophy of
Education |
Philosophy of Education: Scope and Value |
english |
UG |
|
|
| 173 |
Film Studies |
Film Technique |
Camera Movements |
english |
UG |
|
|
| 174 |
Film Studies |
Film Technique |
Lighting & Graphics |
english |
UG |
|
|
| 175 |
Film Studies |
Film Technique |
Camera Position & Camera Angle |
english |
UG |
|
|
| 176 |
Film Studies |
Film Technique |
Shot Scale and the Use of Lens |
english |
UG |
|
|
| 177 |
History |
B. A. |
South Indian Economy - II |
english |
UG |
|
|
| 178 |
Film Studies |
Film Technique |
Methods and Techniques |
english |
UG |
|
|
| 179 |
Film Studies |
Film Technique |
Narrativisation |
english |
UG |
|
|
| 180 |
Film Studies |
Film Technique |
Language of Cinema |
english |
UG |
|
|
| 181 |
Film Studies |
Film Technique |
From Magic Lantern to Motion Picture |
english |
UG |
|
|
| 182 |
Film Studies |
Film Technique |
Match Cut, Invisible Cut etc |
english |
UG |
|
|
| 183 |
Film Studies |
Film Technique |
Imaginary Line, 3 Degree Rule Etc |
english |
UG |
|
|
| 184 |
Film Studies |
Film Technique |
Basic Aspects of Film Editing |
english |
UG |
|
|
| 185 |
Film Studies |
Film Technique |
Techniques of Joining Two Shots |
english |
UG |
|
|
| 186 |
History |
B. A. |
Guptas and Culture |
english |
UG |
|
|
| 187 |
Film Studies |
Film Technique |
Components of Film Sound |
english |
UG |
|
|
| 188 |
Film Studies |
Film Technique |
Sound & Continuity |
english |
UG |
|
|
| 189 |
History |
B. A. |
State and Administration of Guptas |
english |
UG |
|
|
| 190 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
New Indian Cinema Southern View- II |
english |
UG |
|
|
| 191 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
New Indian Cinema Eastern View- I |
english |
UG |
|
|
| 192 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
New Indian Cinema Western View- III |
english |
UG |
|
|
| 193 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
New Indian Cinema Southern View- I |
english |
UG |
|
|
| 194 |
Promo [ IInd
Fortnight] |
Promotional/ Coming
Up |
Promotional/ Coming Up for Channel- 2 [JUNE IInd
Fortnight] |
english |
UG |
|
|
| 195 |
Promo [ IInd
Fortnight] |
Promotional/ Coming
Up |
Promotional/ Coming Up for Channel VYAS [ JUNE
IInd Fortnight] |
english |
UG |
|
|
| 196 |
Promo [ IInd
Fortnight] |
Promotional/ Coming
Up |
Promotional/ Coming Up for Channel- 4 [JUNE IInd
Fortnight] |
english |
UG |
|
|
| 197 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
New Indian Cinema Western View- I |
english |
UG |
|
|
| 198 |
History |
History of Ancient
India |
Political History of The Mauryan Dynasty |
english |
UG |
|
|
| 199 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
New Indian Cinema Western View- II |
english |
UG |
|
|
| 200 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
V. Shantaram & Prabhat Studio |
english |
UG |
|
|
| 201 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
Cinema of 194s |
english |
UG |
|
|
| 202 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
Indian Cinema from Madan to Phalke |
english |
UG |
|
|
| 203 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
Historical Overview-Studios in India |
english |
UG |
|
|
| 204 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
New Cinema Movement in Chile |
english |
UG |
|
|
| 205 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
Mexican National Cinema |
english |
UG |
|
|
| 206 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
Argentina’s Cinema |
english |
UG |
|
|
| 207 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
Bolivian People’s Cinema |
english |
UG |
|
|
| 208 |
Philosophy |
Contemporary Indian
Philosophy |
Humanism |
english |
UG |
|
|
| 209 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
Brazil Cinema Novo |
english |
UG |
|
|
| 210 |
Philosophy |
Essentials of
Symbolic Logic |
Quantification Theory- I |
english |
UG |
|
|
| 211 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
Introduction of Latin American Cinema |
english |
UG |
|
|
| 212 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
The History of New Iranian Cinema - I |
english |
UG |
|
|
| 213 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
New Iranian Cinema Kiarostomi and Panahi - II |
english |
UG |
|
|
| 214 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
Yasizuro Ozu |
english |
UG |
|
|
| 215 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
Akira Kurosawa |
english |
UG |
|
|
| 216 |
Philosophy |
Essentials Of
Symbolic Logic |
Introduction: Symbolic Logic and Classical Logic |
english |
UG |
|
|
| 217 |
Film Studies |
Asian, New Latin,
African & Indian
Cinema |
Kenji Mizoguchi |
english |
UG |
|
|
| 218 |
Philosophy |
Essentials of
Symbolic Logic |
Simple and Compound Proposition |
- |
UG |
|
|
| 219 |
Promo [ Ist
Fortnight] |
Promotional/ Coming
Up |
Promotional/ Coming Up for Channel- 2 [ JUNE Ist
Fortnight ] |
english |
UG |
|
|
| 220 |
Promo [ Ist
Fortnight] |
Promotional/ Coming
Up |
Promotional/ Coming Up for Channel VYAS [ JUNE
Ist Fortnight] |
english |
UG |
|
|
| 221 |
Promo [ Ist
Fortnight] |
Promotional/ Coming
Up |
Promotional/ Coming Up for Channel- 4 [ JUNE/
Ist Fortnight] |
english |
UG |
|
|
| 222 |
Promotional |
Channel Promotional
Generic |
Promotional for CEC Channels by Dr. Ajay Verma |
english |
UG |
|
|
| 223 |
Promo |
Promotional Video |
Introductory Video of DTH Channel- 2 |
english |
UG |
|
|
| 224 |
- |
- |
Absolute Idealism of Hegel |
english |
UG |
|
|
| 225 |
- |
- |
Italian Neo-Realism |
english |
UG |
|
|
| 226 |
- |
- |
Promotional for CEC Channels by Dr. Namita Rajput |
english |
UG |
|
|
| 227 |
- |
- |
Central Themes and Philosophical Concerns of
Medieval Philosophy |
english |
UG |
|
|
| 228 |
- |
- |
Promotional for CEC Channels by Dr. Someveer Arya |
english |
UG |
|
|
| 229 |
- |
- |
Features and Characteristics of Medieval
Philosophy |
english |
UG |
|
|
| 230 |
- |
- |
Promotional for CEC Channels by Dr. Baldevanand
Sagar |
english |
UG |
|
|
| 231 |
- |
- |
Promotional for CEC Channels by Charu Dogra Rawat |
english |
UG |
|
|
| 232 |
- |
- |
Promotional for CEC Channels by Dr. Naushad Alam |
english |
UG |
|
|
| 233 |
- |
- |
Promotional for CEC Channels by Dr. Shruti Vip |
english |
UG |
|
|
| 234 |
- |
- |
Noh- I |
english |
- |
|
|
| 235 |
- |
- |
History of Modern Europe: Socialism in Europe |
english |
- |
|
|
| 236 |
- |
- |
Aristotelian Epistemology |
english |
- |
|
|
| 237 |
- |
- |
Democritus |
english |
- |
|
|
| 238 |
- |
- |
The Coming of The French Revolution |
english |
- |
|
|
| 239 |
- |
- |
The Constitution of 1791, The Second Revolution
and Fall of Bourbon Monarchy |
english |
- |
|
|
| 240 |
- |
- |
The Rise and Fall of The Jacobin Republic |
english |
- |
|
|
| 241 |
- |
- |
Crisis of The Ancient Regime in France and
Enlightned in France |
english |
- |
|
|
| 242 |
- |
- |
Samkhya Yoga |
english |
- |
|
|
| 243 |
- |
- |
Colour |
english |
- |
|
|
| 244 |
- |
- |
Bhagavad Gita- Karma Yoga |
english |
- |
|
|
| 245 |
- |
- |
Romanesque Art |
english |
- |
|
|
| 246 |
- |
- |
The Rowlatt Satyagraha |
english |
UG |
|
|
| 247 |
- |
- |
Background to The Non-Cooperation Movement |
english |
UG |
|
-
|
| 248 |
- |
- |
Bioethical Issues: Euthanasia |
english |
UG |
|
|
| 249 |
- |
- |
Bioethics |
english |
UG |
|
|
| 250 |
- |
- |
Bioethical Issues: Cloning |
english |
UG |
|
|
| 251 |
- |
- |
Ethical Theory and Practice |
english |
UG |
|
|
| 252 |
- |
- |
Abortion: The Moral Status of Foetus |
english |
UG |
|
|
| 253 |
- |
- |
Trusteeship |
english |
UG |
|
|
| 254 |
- |
- |
Political issues: Terrorism, Violence and War |
english |
UG |
|
|
| 255 |
- |
- |
Political Issues of Sarvodaya |
english |
UG |
|
|
| 256 |
- |
- |
Globalisation, Exploitation by Domination |
english |
UG |
|
|
| 257 |
- |
- |
Decentralisation of Power: Mahatma Gandhi |
english |
UG |
|
|
| 258 |
- |
- |
Social and Ethical Issues of Sarvodaya |
english |
UG |
|
|
| 259 |
- |
- |
The Theory of Trusteeship: Mahathma Gandhi |
english |
UG |
|
|
| 260 |
- |
- |
The Theory of Satyagraha: Mahathma Gandhi |
english |
UG |
|
|
| 261 |
- |
- |
Nationalism and Human Unity: Sri Aurobindo |
english |
UG |
|
|
| 262 |
- |
- |
Concept of Man and Nation: Sri Aurobindo |
english |
UG |
|
|
| 263 |
- |
- |
Freedom and Equality: Swami Vivekananda |
english |
UG |
|
|
| 264 |
- |
- |
Great Educators And Their Ideals: Dr. S.
Radhakrishnan |
english |
UG |
|
|
| 265 |
- |
- |
Great Educators And Their Ideals: Friedrich
Wilhelm August Froebel |
english |
UG |
|
|
| 266 |
- |
- |
Great Educators And Their Ideals: Sri Aurobindo |
english |
UG |
|
|
| 267 |
- |
- |
Great Educators And Their Ideals: Sri Swami
Vivekananda |
english |
UG |
|
|
| 268 |
- |
- |
Idealism and Naturalism |
english |
UG |
|
|
| 269 |
- |
- |
Pragmatism and Realism |
english |
UG |
|
|
| 270 |
- |
- |
Philosophy, Educational Aims and Curriculum |
english |
UG |
|
|
| 271 |
- |
- |
Satyagraha |
english |
UG |
|
|
| 272 |
- |
- |
Philosophical Basis of Education |
english |
UG |
|
|
| 273 |
- |
- |
Non Violence |
english |
UG |
|
|
| 274 |
- |
- |
Sarvodaya |
english |
UG |
|
|
| 275 |
- |
- |
Different Perspectives on Substance |
english |
UG |
|
|
| 276 |
- |
- |
Interactionism |
english |
UG |
|
|
| 277 |
- |
- |
Occasionalism |
english |
UG |
|
|
| 278 |
- |
- |
Pragmatic Theory of Truth: An Introduction |
english |
UG |
|
|
| 279 |
- |
- |
Pragmatic Theory of Truth |
english |
UG |
|
|
| 280 |
- |
- |
An Introduction to Phenomenology |
english |
UG |
|
|
| 281 |
- |
- |
Pragmatism- Origins and Concept |
english |
UG |
|
|
| 282 |
- |
- |
Popular Cartoonist: Giles |
english |
UG |
|
|
| 283 |
- |
- |
Nietzsche and Existential Philosophy |
english |
UG |
|
|
| 284 |
- |
- |
Existential Philosophy of Jean-Paul Sartre |
english |
UG |
|
|
| 285 |
- |
- |
Spanish Theatre |
english |
UG |
|
|
| 286 |
- |
- |
Imagination as An Element of Consciousness |
english |
UG |
|
|
| 287 |
- |
- |
An Introduction to Existentialism |
english |
UG |
|
|
| 288 |
- |
- |
South East Asian Theatres: Japanese Theatre |
english |
UG |
|
|
| 289 |
- |
- |
Theories of Meaning- I |
english |
UG |
|
|
| 290 |
- |
- |
Content Theory: Frege and Husserl |
english |
UG |
|
|
| 291 |
- |
- |
Logical Positivism – Verifiability Principle |
english |
UG |
|
|
| 292 |
- |
- |
Melakarta Raga Scheme- I |
english |
UG |
|
|
| 293 |
- |
- |
Logical Positivism and Philosophy of Language |
english |
UG |
|
|
| 294 |
- |
- |
African Theatre |
english |
UG |
|
|
| 295 |
- |
- |
Logical Positivism – An Introduction |
english |
UG |
|
|
| 296 |
- |
- |
Central Tenets of Logical Positivism |
english |
UG |
|
|
| 297 |
- |
- |
Italian Theatre |
- |
UG |
|
|
| 298 |
- |
- |
Technical Terms- II |
english |
UG |
|
|
| 299 |
- |
- |
Philosophy of Language – Mid-Century Revolutions |
english |
UG |
|
|
| 300 |
- |
- |
Philosophy of Language – Major Areas in the
Contemporary Field |
english |
UG |
|
|
| 301 |
- |
- |
Early Theories of Philosophy of Language –
Bertrand Russell And Gottlob Frege |
english |
UG |
|
|
| 302 |
- |
- |
Early Analytical Philosophy of Language |
english |
UG |
|
|
| 303 |
- |
- |
Philosophical Skepticism and Its Contributions To
The Development of |
english |
UG |
|
|
| 304 |
- |
- |
Object Theories of Intentionality |
english |
UG |
|
|
| 305 |
- |
- |
History of Ideas Leading Up To Intentionality:
From Aristotle in Antiquity to Ockham in The
Middle Ages |
english |
UG |
|
|
| 306 |
- |
- |
Intentionality |
english |
UG |
|
|
| 307 |
- |
- |
Dr. S. Radhakrishnan – The Greatest Religious
Philosopher |
english |
UG |
|
|
| 308 |
- |
- |
Purnaswaraj |
english |
UG |
|
|
| 309 |
- |
- |
Sri Aurobindo - Nature of The Absolute |
english |
UG |
|
|
| 310 |
- |
- |
Gitam - IV |
english |
UG |
|
|
| 311 |
- |
- |
M.N. Roy- The Philosophy of New Humanism |
english |
UG |
|
|
| 312 |
- |
- |
Integral Yoga - Sri Aurobindo |
english |
UG |
|
|
| 313 |
- |
- |
Mahatma Gandhi- I |
english |
UG |
|
|
| 314 |
- |
- |
Mahatma Gandhi- II |
english |
UG |
|
|
| 315 |
- |
- |
Story Telling Pedagogical Perspective |
english |
UG |
|
|
| 316 |
- |
- |
Meaning, Scope And Development of Indian
Philosophy |
english |
UG |
|
|
| 317 |
- |
- |
Swami Vivekananda |
english |
UG |
|
|
| 318 |
- |
- |
Don’t Burn Leaves |
english |
UG |
|
|
| 319 |
- |
- |
South Indian Economy - I |
english |
UG |
|
|
| 320 |
- |
- |
Neo-Vedanta |
english |
UG |
|
|
| 321 |
- |
- |
The Salient Features of Indian Philosophy |
english |
UG |
|
|
| 322 |
- |
- |
After the Storm |
bengali |
UG |
|
|
| 323 |
- |
- |
South Indian Polity: Chalukya-Pallava Conflict |
english |
UG |
|
|
| 324 |
- |
- |
Religion in South India |
english |
UG |
|
|
| 325 |
- |
- |
Method Of Deduction |
english |
UG |
|
|
| 326 |
- |
- |
Rules of Replacement |
- |
UG |
|
|
| 327 |
- |
- |
Wayndan Ramayanam |
- |
UG |
|
|
| 328 |
- |
- |
Harshavardhana: Political System and
Administrative Institutions |
english |
UG |
|
|
| 329 |
- |
- |
South Indian Polity: Kingship and Council of
Ministers |
english |
UG |
|
|
| 330 |
- |
- |
South Indian Polity: Administration and Revenue
System |
english |
UG |
|
|
| 331 |
- |
- |
Disjunction |
english |
UG |
|
|
| 332 |
- |
- |
Weeds of Future |
english |
UG |
|
|
| 333 |
- |
- |
Cultural Contact with Central Asia - A |
english |
UG |
|
|
| 334 |
- |
- |
Cultural Contact with Central Asia - B |
english |
UG |
|
|
| 335 |
- |
- |
The Later Guptas and Other Emerging Kingdoms |
english |
UG |
|
|
| 336 |
- |
- |
Statement Forms and Statement |
0 |
UG |
|
|
| 337 |
- |
- |
Conjunction and Negation |
english |
UG |
|
|
| 338 |
- |
- |
Cultivation of Edible Mushrooms |
english |
UG |
|
|
| 339 |
- |
- |
Socio-Economic Changes in The Gupta Era - B |
english |
UG |
|
|
| 340 |
- |
- |
Cultural Contributions of The Guptas |
english |
UG |
|
|
| 341 |
- |
- |
Cell Cycle |
english |
UG |
|
|
| 342 |
- |
- |
Post Mauryan Development: Sangam Age - II |
english |
UG |
|
|
| 343 |
- |
- |
Socio-Economic Changes in The Gupta Era - A |
english |
UG |
|
|
| 344 |
- |
- |
Empiricism |
english |
UG |
|
|
| 345 |
- |
- |
The Sacred Filament |
english |
UG |
|
|
| 346 |
- |
- |
History of Ancient India: Buddhism, Jainism and
Cultural Life |
english |
UG |
|
|
| 347 |
- |
- |
Post Mauryan Development: Sangam Age - I |
english |
UG |
|
|
| 348 |
- |
- |
Hegel: Philosophy of Absolute Idealism |
english |
UG |
|
|
| 349 |
- |
- |
Rene Descartes... David Hume |
english |
UG |
|
|
| 350 |
- |
- |
William Roxburgh: The Father of Indian Botany |
english |
UG |
|
|
| 351 |
- |
- |
George Wilhelm Friedrich Hegel |
english |
UG |
|
|
| 352 |
- |
- |
Hegel – The Real is Rational and The Rational is
Real |
english |
UG |
|
|
| 353 |
- |
- |
Not In Fine Feathers? |
bengali |
UG |
|
|
| 354 |
- |
- |
Kant’s Epistemology |
english |
UG |
|
|
| 355 |
- |
- |
Immanuel Kant’s Analytic of Principles |
english |
UG |
|
|
| 356 |
- |
- |
Lakkannavar- The Green Engineer for Farmers |
english |
UG |
|
|
| 357 |
B. A. |
PERFORMING ARTS |
Biography and Contribution of Swami Haridas |
english |
UG |
|
|
| 358 |
B. A. |
PERFORMING ARTS |
Writing in Notation: Various Layakaries of Tal |
english |
UG |
|
|
| 359 |
B. A. |
Philosophy |
Subjective Idealism |
english |
UG |
|
|
| 360 |
B. A. |
Philosophy |
David Hume |
english |
UG |
|
|
| 361 |
B. A. |
Theatre Arts |
RomanTheatre |
english |
UG |
|
|
| 362 |
B. A. |
Theatre Arts |
French Theatre |
english |
UG |
|
|
| 363 |
B. A. |
Philosophy |
Esseist Percipi |
english |
UG |
|
|
| 364 |
B. A. |
Philosophy |
Rejection of Matter |
english |
UG |
|
|
| 365 |
B. A. |
Theatre Arts |
Naturalistic Plays |
english |
UG |
|
|
| 366 |
B. A. |
Theatre Arts |
Poor Theatre |
english |
UG |
|
|
| 367 |
B. A. |
FINE ARTS |
Popular Cartoonist: Abu Abraham |
english |
UG |
|
|
| 368 |
B. A. |
Philosophy |
George Berkeley |
english |
UG |
|
|
| 369 |
B. A. |
Philosophy |
Rejection of Abstract Ideas |
english |
UG |
|
|
| 370 |
B. A. |
Theatre Arts |
Epic Theatre |
english |
UG |
|
|
| 371 |
B. A. |
Music |
Japanese Theatre |
english |
UG |
|
|
| 372 |
B. A. |
Philosophy |
Simple and Complex Ideas |
english |
UG |
|
|
| 373 |
B. A. |
Philosophy |
Primary and Secondary Qualities |
english |
UG |
|
|
| 374 |
B. A. |
Theatre Arts |
Chinese Theatre or Theatre of China |
english |
UG |
|
|
| 375 |
B. A. |
Theatre Arts |
Environmental Theatre |
english |
UG |
|
|
| 376 |
B. A. |
Literature |
Well Versed Poets in First Person |
english |
UG |
|
|
| 377 |
B. A. |
Philosophy |
John Locke |
english |
UG |
|
|
| 378 |
B. A. |
Philosophy |
Rejection Of Innate Ideas |
english |
UG |
|
|
| 379 |
B. A. |
Theatre Arts |
Greek Theatre |
english |
UG |
|
|
| 380 |
B. A. |
Theatre Arts |
Medieval Theatre: Mysteries, Miracles, Moralities
and Interludes |
english |
UG |
|
|
| 381 |
B. A. |
Philosophy |
Leibnitz – The Doctrine of Substance |
english |
UG |
|
|
| 382 |
B. A. |
Theatre Arts |
Different Perceptions on Interculturalism |
english |
UG |
|
|
| 383 |
B. A. |
Theatre Arts |
Historical Aspects of Feminist Theatre |
english |
UG |
|
|
| 384 |
B. A. |
Philosophy |
Psycho-Physical Parallelism |
english |
UG |
|
|
| 385 |
B. A. |
Philosophy |
Leibniz -Pre-Established Harmony |
english |
UG |
|
|
| 386 |
B. A. |
Theatre Arts |
First Principle and the Role of Lighting Designer |
english |
UG |
|
|
| 387 |
B. A. |
Theatre Arts |
Inter Cultural Theatre |
english |
UG |
|
|
| 388 |
- |
- |
Optical Properties of Minerals in Transmitted
Light |
english |
UG |
|
|
| 389 |
B. A. |
Philosophy |
The Doctrine of Substance |
english |
UG |
|
|
| 390 |
B. A. |
Philosophy |
Doctrine of Modes |
english |
UG |
|
|
| 391 |
B. A. |
Theatre Arts |
Scientific Properties and Objectives of Lighting |
english |
UG |
|
|
| 392 |
B. A. |
Theatre Arts |
Equipments and Basic Techniques of Lighting |
english |
UG |
|
|
| 393 |
B. A. |
Philosophy |
Vishishtadvaita and Other Schools of Vedanta |
english |
UG |
|
|
| 394 |
B. A. |
Theatre Arts |
History of Stage Lighting |
english |
UG |
|
|
| 395 |
B. A. |
Philosophy |
Baruch Spinoza |
english |
UG |
|
|
| 396 |
B. A. |
Theatre Arts |
Color in Lighting |
english |
UG |
|
|
| 397 |
- |
- |
Buddhism- Kshanikavada, Nairatmyavada, Nirvana,
Bodhisattva |
english |
UG |
|
|
| 398 |
- |
- |
Brahma Sutra and Advaita Vedanta |
english |
UG |
|
|
| 399 |
- |
- |
History of Lighting |
english |
UG |
|
|
| 400 |
B. A. |
Philosophy |
Jainism– Ajiva, Syad Vada and Anekanta Vada |
english |
UG |
|
|
| 401 |
B. A. |
Philosophy |
Jainism Metaphysics: Substance and Jiva |
english |
UG |
|
|
| 402 |
B. A. |
Philosophy |
Buddhism – I |
english |
UG |
|
|
| 403 |
- |
- |
A Minute of Silence |
english |
UG |
|
|
| 404 |
B. A. |
Philosophy |
Vedanta– I |
english |
UG |
|
|
| 405 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Oothukkadu Venkata Subbaier |
english |
UG |
|
|
| 406 |
B. A. |
Philosophy |
Vedanta– II |
english |
UG |
|
|
| 407 |
B. A. |
Philosophy |
Jainism– Epistemology, Ethics and Atheism |
english |
UG |
|
|
| 408 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Annamayya |
english |
UG |
|
|
| 409 |
- |
- |
Looking Beyond Boundaries: Adoption |
english |
UG |
|
|
| 410 |
B. A. |
Philosophy |
Nyaya – Vaishesika |
english |
UG |
|
|
| 411 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Manōdharma Sangītam– III |
english |
UG |
|
|
| 412 |
B. A. |
Philosophy |
Vedas, Upanishads and Bhagavat Gita |
english |
UG |
|
|
| 413 |
B. A. |
Philosophy |
Upanisads– Brahman |
english |
UG |
|
|
| 414 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Manōdharma Sangītam– IV |
english |
UG |
|
|
| 415 |
B. A. |
Maths |
The Story of Yard and Metre |
english |
UG |
|
|
| 416 |
- |
- |
Strokes of Genius |
english |
UG |
|
|
| 417 |
B. A. |
Philosophy |
Pramanas – I |
english |
UG |
|
|
| 418 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Manōdharma Sangītam – I |
english |
UG |
|
|
| 419 |
B. A. |
Philosophy |
Pramanas – II |
english |
UG |
|
|
| 420 |
B. A. |
Philosophy |
Carvaka – Theory of Perception |
english |
UG |
|
|
| 421 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Manōdharma Sangītam– II |
english |
UG |
|
|
| 422 |
- |
- |
The Human Eye: Structure Refractive Errors |
english |
UG |
|
|
| 423 |
B. A. |
Philosophy |
Hypothesis |
english |
UG |
|
|
| 424 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Raga Lakshana – V |
english |
UG |
|
|
| 425 |
B. A. |
Philosophy |
J S Mill’s Theory of Causation |
english |
UG |
|
|
| 426 |
B. A. |
Philosophy |
J S Mill’s Inductive Method |
english |
UG |
|
|
| 427 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Raga Lakshana – VI |
english |
UG |
|
|
| 428 |
B. A. |
CRAFTS |
Creativity: Jewellery Designing |
english |
UG |
|
|
| 429 |
B. A. |
Philosophy |
Observation and Experiment |
english |
UG |
|
|
| 430 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Raga Lakshana – III |
english |
UG |
|
|
| 431 |
B. A. |
Philosophy |
Kinds of Induction |
english |
UG |
|
|
| 432 |
B. A. |
Philosophy |
Problems of Induction |
english |
UG |
|
|
| 433 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Raga Lakshana – IV |
english |
UG |
|
|
| 434 |
- |
- |
A Discussion on Policy for Women |
english |
UG |
|
|
| 435 |
B. A. |
Philosophy |
Medieval Philosophers:Anselm of Canterbury |
english |
UG |
|
|
| 436 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Raga Lakshana – I |
english |
UG |
|
|
| 437 |
B. A. |
Philosophy |
Great Medieval Philosophers:St. Augustine of Hippo |
english |
UG |
|
|
| 438 |
B. A. |
Philosophy |
Medieval Philosophers: Saint Thomas Aquinas |
english |
UG |
|
|
| 439 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Raga Lakshana – II |
english |
UG |
|
|
| 440 |
B. A. |
Filler |
A Tribute to Kargil Brave Hearts |
english |
UG |
|
|
| 441 |
B. A. |
Philosophy |
Characteristics of Medieval Philosophy |
english |
UG |
|
|
| 442 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Alankaram– II |
english |
UG |
|
|
| 443 |
B. A. |
Philosophy |
Major Phases and Important Thinkers of Medieval
Philosophy |
english |
UG |
|
|
| 444 |
B. A. |
Philosophy |
Medieval Philosophers:Boethius |
english |
UG |
|
|
| 445 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Alankaram– III |
english |
UG |
|
|
| 446 |
B. A. |
Philosophy |
Protagoras |
english |
UG |
|
|
| 447 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Composers Biography - Śyāmā Śāstri
Compositins & Muthu Tandavar Sivan |
english |
UG |
|
|
| 448 |
B. A. |
Philosophy |
Association of Ideas |
english |
UG |
|
|
| 449 |
B. A. |
Philosophy |
A Historical Overview of Medieval Philosophy |
english |
UG |
|
|
| 450 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Alankaram– I |
english |
UG |
|
|
| 451 |
B. A. |
Philosophy |
Socrates– Theory of Knowledge |
english |
UG |
|
|
| 452 |
B. A. |
Philosophy |
Scepticism |
english |
UG |
|
|
| 453 |
B. A. |
Philosophy |
The Sophist Philosophy |
english |
UG |
|
|
| 454 |
B. A. |
Philosophy |
Theory of Causation |
english |
UG |
|
|
| 455 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Composers Biography & Contribution to Music
Muthuswami- II |
english |
UG |
|
|
| 456 |
B. A. |
Philosophy |
Leucippus of Miletus |
english |
UG |
|
|
| 457 |
B. A. |
FINE ARTS |
Study of Forms in Nature |
english |
UG |
|
|
| 458 |
- |
- |
Methods of Polymerisation: Solution Polymerisation |
english |
UG |
|
|
| 459 |
B. A. |
Philosophy |
Anaximenes |
english |
UG |
|
|
| 460 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Composers Biography & Contribution Music –
Thyagaraja- III |
english |
UG |
|
|
| 461 |
B. A. |
Philosophy |
Anaxagoras |
english |
UG |
|
|
| 462 |
B. A. |
FINE ARTS |
Perspective |
english |
UG |
|
|
| 463 |
B. A. |
Philosophy |
Thales of Miletus |
english |
UG |
|
|
| 464 |
B. A. |
Philosophy |
Anaximander |
english |
UG |
|
|
| 465 |
B. A. |
FINE ARTS |
Aesthetics and Cultural Studies |
english |
UG |
|
|
| 466 |
B. A. |
Philosophy |
Pre Socratic Thinkers: The Ionians |
english |
UG |
|
|
| 467 |
B. A. |
Philosophy |
Greek School of Thought- The Eleatics |
english |
UG |
|
|
| 468 |
B. A. |
FINE ARTS |
Aesthetics of Romanticism |
english |
UG |
|
|
| 469 |
B. A. |
PERFORMING ARTS |
Samyukta Hasta Mudras: Double Handed Gestures
According to Abhinaya Darpan |
english |
UG |
|
|
| 470 |
B. A. |
Philosophy |
History of Greek Philosophy |
english |
UG |
|
|
| 471 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Prevalant Instruments- IX |
english |
UG |
|
|
| 472 |
B. A. |
Philosophy |
Pre – Socratic Philosophy |
english |
UG |
|
|
| 473 |
B. A. |
FINE ARTS |
Aesthetic Theory of Immanuel Kant – II |
english |
UG |
|
|
| 474 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Prevalant Instruments- X |
english |
UG |
|
|
| 475 |
B. A. |
Philosophy |
Vedic Literature |
english |
UG |
|
|
| 476 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Prevalant Instruments- VII |
english |
UG |
|
|
| 477 |
B. A. |
Philosophy |
Vedic Religion |
english |
UG |
|
|
| 478 |
B. A. |
FINE ARTS |
Western Aesthetics from Greek to Renaissance –
Aristotle |
english |
UG |
|
|
| 479 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Prevalant Instruments- VIII |
english |
UG |
|
|
| 480 |
B. A. |
PERFORMING ARTS |
Musical Instrument In Sculpture Of Karnataka |
english |
UG |
|
|
| 481 |
B. A. |
Philosophy |
Eight Limbs of Yoga |
english |
UG |
|
|
| 482 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Musical Instruments - Classification Based on
Physics– II |
english |
UG |
|
|
| 483 |
B. A. |
Philosophy |
PurvaMimamsa Ritualism |
english |
UG |
|
|
| 484 |
B. A. |
FINE ARTS |
Contemporary Aesthetics |
english |
UG |
|
|
| 485 |
B. A. |
MUSIC KARNATAKI
SANGEET |
Musical Instruments - Classification Based on
Physics– III |
english |
UG |
|
|
| 486 |
B. A. |
Philosophy |
Swadharma |
english |
UG |
|
|
| 487 |
B. A. |
MUSIC; KARNATAKI
SANGEET |
Musical Instruments - Benefits and Significances |
english |
UG |
|
|
| 488 |
B. A. |
Philosophy |
Predicament of The Individual |
english |
UG |
|
|
| 489 |
B. A. |
FINE ARTS |
Introduction to Aesthetics- II |
english |
UG |
|
|
| 490 |
B. A. |
MUSIC; KARNATAKI
SANGEET |
Musical Instruments - Classification Based on
Physics– I |
english |
UG |
|
|
| 491 |
B. A. |
FINE ARTS |
Post Modern Aesthetics |
english |
UG |
|
|
| 492 |
B. A. |
Philosophy |
Nishkamakarama |
english |
UG |
|
|
| 493 |
B. A. |
MUSIC; KARNATAKI
SANGEET |
Melakarta Raga Scheme- II |
english |
UG |
|
|
| 494 |
B. A. |
Philosophy |
Bhaktiyoga |
english |
UG |
|
|
| 495 |
B. A. |
FINE ARTS |
Formalism |
english |
UG |
|
|
| 496 |
B. A. |
MUSIC; KARNATAKI
SANGEET |
Musical Instruments– Introduction |
english |
UG |
|
|
| 497 |
B. A. |
FINE ARTS |
Aesthetic Theory of Hegel |
english |
UG |
|
|
| 498 |
B. A. |
Philosophy |
Karmayoga |
english |
UG |
|
|
| 499 |
B. A. |
MUSIC; KARNATAKI
SANGEET |
Technical Terms- II |
english |
UG |
|
|
| 500 |
B. A. |
Philosophy |
Concept Of Stitaprajna In Bhagavad Gita |
english |
UG |
|
|
| 501 |
B. A. |
FINE ARTS |
Fundamentals Of Visual Art: Light |
english |
UG |
|
|
| 502 |
B. A. |
MUSIC; KARNATAKI
SANGEET |
Melakarta Raga Scheme- I |
english |
UG |
|
|
| 503 |
B. A. |
FINE ARTS |
Existentialist Aesthetics |
english |
UG |
|
|
| 504 |
B. A. |
Philosophy |
The Essence Of Bhagavad Gita |
english |
UG |
|
|
| 505 |
B. A. |
MUSIC; KARNATAKI
SANGEET |
Dattu Varisai- II |
english |
UG |
|
|
| 506 |
B. A. |
Philosophy |
Jnanayoga |
english |
UG |
|
|
| 507 |
B. A. |
FINE ARTS |
Critical Theory: Frankfurt School |
english |
UG |
|
|
| 508 |
B. A. |
MUSIC; KARNATAKI
SANGEET |
Technical Terms- I |
english |
UG |
|
|
| 509 |
B. A. |
FINE ARTS |
Expressionist Aesthetics |
english |
UG |
|
|
| 510 |
B. A. |
Philosophy |
Bhagavad Gita- Karma Yoga |
english |
UG |
|
|
