| No. | Topic | Subject | User Category | Telecast Date | Day | Time |
|---|---|---|---|---|---|---|
| 1 | History of India: Rajasthan - I | B. A. | ||||
| 2 | Vachika Abhinaya: News Reading Techniques and Exercise - I |
B. A. | ||||
| 3 | History of India: Rajasthan - II | B. A. | ||||
| 4 | Vachika Abhinaya: News Reading Techniques and Exercise - II |
B. A. | ||||
| 5 | History of India: Rajasthan - III | B. A. | ||||
| 6 | Voice | B. A. | ||||
| 7 | Odissi - V | B. A. | ||||
| 8 | Odissi - VI | B. A. | ||||
| 9 | Golden Setter: A Profile | B. A. | ||||
| 10 | Pause and Ponder: Polymers and Network Formation | B. Sc. | ||||
| 11 | Mughal Paintings: Their Social and Historical Context - I |
B. A. | ||||
| 12 | Principles of Costume Designing - II | B. A. | ||||
| 13 | Mughal Paintings: Their Social and Historical Context - II |
B. A. | ||||
| 14 | Designing for A Mythical Play | B. A. | ||||
| 15 | Decline of The Mughal Empire | B. A. | ||||
| 16 | Designing for A Social Play | B. A. | ||||
| 17 | Odissi - III | B. A. | ||||
| 18 | Odissi - IV | B. A. | ||||
| 19 | Strabismus Squint Eye: A Needless Handicap | B.Sc. | ||||
| 20 | Optical Properties of Minerals in Transmitted Light - I |
B. Sc. | ||||
| 21 | Language and Literature Under The Mughals - II | B. A. | ||||
| 22 | Costumes and Lights | B. A. | ||||
| 23 | Mughal Architecture - I | B. A. | ||||
| 24 | Collecting The Material | B. A. | ||||
| 25 | Mughal Architecture - II | B. A. | ||||
| 26 | Principles of Costume Designing - I | B. A. | ||||
| 27 | Odissi - I | B. A. | ||||
| 28 | Odissi - II | B. A. | ||||
| 29 | Lady in Labs: Lady with A Genetic Wand | B. Sc. | ||||
| 30 | Popular Cartoonist: Anthony Dodamo | B. A. | ||||
| 31 | Mughal Administration and Social System | B. A. | ||||
| 32 | Noses | B. A. | ||||
| 33 | Urban Economy in Mughal India | B. A. | ||||
| 34 | Origin and Development of Tragedy | B. A. | ||||
| 35 | Language and Literature Under The Mughals - I | B. A. | ||||
| 36 | Costumes and Makeup | B. A. | ||||
| 37 | Kathak: Theory: Fundamental Techniques and Historical Background of Kathak: A Detailed Study of Gharanas of Kathak Dance |
B. A. | ||||
| 38 | Kathak: Theory: Fundamental Techniques and Historical Background of Kathak: History and Development of Raasleela and Its Relation to Kathak Dance |
B. A. | ||||
| 39 | Lady in Labs: Lady Knows Her Ground | B. A. | ||||
| 40 | Popular Cartoonist: Lan Hollreiser | B. A. | ||||
| 41 | Mughal Monetary System | B. A. | ||||
| 42 | Elements of Design: Line | B. A. | ||||
| 43 | Morphology of Cities | B. A. | ||||
| 44 | Makeup Master Class | B. A. | ||||
| 45 | Morphology of The Mughal Cities: Agra and Delhi | B. A. | ||||
| 46 | Body Makeup | B. A. | ||||
| 47 | Kathak: Theory: Fundamental Techniques and Historical Background of Kathak: Classification of Nayaka-Nayika |
B. A. | ||||
| 48 | Kathak: Theory: Fundamental Techniques and Historical Background of Kathak: Classification of Nayaka Lakshanas and Nayaka Alankars |
B. A. | ||||
| 49 | Ladies in Labs: Lady with The Biotech Edge | B. A. | ||||
| 50 | Popular Cartoonist: Captionless Cartoons | B. A. | ||||
| 51 | Markets and Internal Trade | B. A. | ||||
| 52 | Costume Around The World - II | B. A. | ||||
| 53 | Foreign Trade - I | B. A. | ||||
| 54 | Elements of Design: Colour | B. A. | ||||
| 55 | Foreign Trade - II | B. A. | ||||
| 56 | Colour Symbolism | B. A. | ||||
| 57 | Kathak: Theory: Fundamental Techniques and Historical Background of Kathak |
B. A. | ||||
| 58 | Kathak: Theory: Fundamental Techniques and Historical Background of Kathak: Aharya Abhinaya |
B. A. | ||||
| 59 | Ladies in Labs: A Lady on A Mission to Restore Vision |
B. A. |